“I used to be pondering I could possibly be made right into a leather-based jacket,” Amy (Kate Lyn Sheil) muses to her involved buddy, Jane (Jane Adams), not lengthy into the moody psychodrama “She Dies Tomorrow.” Having flatly communicated her perception that she’s going to chew the mud the following day, Amy is set that her corpse be helpful.
The scene suggests black comedy, however this second function from the author and director Amy Seimetz (after the marvelous “Solar Don’t Shine” in 2013) received’t make you are feeling very like laughing. Without delay a captivating experiment and a claustrophobic puzzle, “She Dies Tomorrow” could possibly be about many issues or nothing in any respect, its free-floating temper of anxious anticipation able to be slotted into a number of neuroses. Amy isn’t suicidal: A recovering alcoholic who has mysteriously relapsed — elliptical reminiscences counsel a painful breakup or a serious remorse could possibly be the trigger — she wanders round her not too long ago bought home, stroking partitions and caressing hardwood flooring, her unpacked belongings emphasizing the vacancy.
Late within the evening, strobing colours and a bizarre, pressing wail pull the trancelike Amy towards the viewers earlier than we float off to rejoin Jane, who’s unable to focus on the blood pattern she’s analyzing via a microscope. (Flowing blood is a recurring motif within the movie, as if its characters’ irrationalities had a organic rationalization.) In time, carrying solely her pajamas, Jane will present up at her brother and sister-in-law’s social gathering and she or he too will announce, in entrance of their astonished friends, that she’s going to die the next day.
Dazed however removed from confused, “She Dies Tomorrow” tugs at you, nagging to be seen greater than as soon as. Eerie and at instances impenetrable, the film (which was accomplished pre-pandemic) presents a quickly spreading psychological contagion that feels uncomfortably well timed. Its echoing rooms and abandoned porches, glazed expressions and pale, sterile colours are — thanks largely to the cinematographer Jay Keitel — adamantly unsettling. On the identical time, its repetitive photos and dialogue can appear foolish and irritating. Characters awaken greater than as soon as with a terrifying, sucking gasp, and I misplaced depend of the variety of instances individuals state variations of “I’m going to die tomorrow.”
Although not strictly a horror film, “She Dies Tomorrow” sees Seimetz’s imaginative and prescient construct to a horrifying pointlessness. There are wounds, and there are our bodies; however they really feel as inconsequential because the characters’ fancy lighting fixtures and different accouterments of middle-class life. Greater than something, maybe, the movie concentrates the thoughts on end-of-life choices: Confronted with an imminent expiration date, would you, like one character, unplug a terminally in poor health guardian, or, like one other, merely really feel relieved which you can now get out of an unsatisfactory relationship? Or would you, like Amy, be comfortable simply to be made right into a leather-based jacket?
She Dies Tomorrow
Rated R for a bit of blood and an excessive amount of angst. Working time: 1 hour 24 minutes. Hire or purchase on iTunes, Google Play and different streaming platforms and pay TV operators.